Myth, Memory, and the Missing Chronicles
The mention of sports competitions is pitifully scarce in the standard histories of ancient India. The scrolls of our past were often linked with the spiritual, the philosophical, and the metaphysical, leaving little space for detailed accounts of games and competitions. Yet, if one seeks the origins and soul of sports in India, it is not to the stadium or scoreboard that one must turn, but to the pages of mythology and epic literature to the sinewy arms of Bhima, the unerring focus of Arjuna’s bow, the boundless might of Hanuman, and the cosmic rhythm of Shiva’s tandava. These mythic images, though clothed in poetry, reveal a civilization where the body and spirit were never at odds, but twin paths in the pursuit of dharma, strength, and self-realization.Thus begins the Ancient Physical culture of Ancient India, not through arenas of applause but through temples, forests, ashrams, and battlegrounds, where physical prowess was not entertainment but sacred expression. In the grand theatre of early human civilization, where the first blueprints of physical culture were etched into consciousness, India stands not merely as a participant but as the cradle that birthed the very ideals of discipline in motion, spirituality in strength, and divinity within the disciplined body.
Indus Valley Foundations: The Silent Beginnings
Even before mythology took form, archaeology whispers its own story. Excavations from the Indus Valley Civilization - Mohenjodaro, Harappa, and Dholavira - reveal terracotta figurines in yogic postures, dancing forms, and athletes frozen in motion. The celebrated "proto-Pashupati seal" depicts a horned figure seated in a posture resembling modern mulabandhasana, suggesting early meditative and physical disciplines. Other figurines display balanced stances and muscular limbs, indicating rituals, athleticism, or proto-wrestling practices. These faint yet powerful clues show that physical culture in the Indian subcontinent predates written scripture, emerging organically from ritual, rhythm, and daily life.Spiritual Roots of Physical Discipline
It all began in silence, on the icy banks of Lake Mansarovar, where Shiva, the Adiguru, transmitted the sacred knowledge of Yoga to the Saptarishi. This divine initiation marked the beginning of the Guru - Shishya Parampara, where knowledge was not merely learned but lived. The body became the scripture; practice became prayer. This lineage is honored even today through Guru Purnima, a celebration of wisdom embodied and passed down through generations.This ancient spirit breathes still in modern India through the Arjuna Awards, conferred upon athletes who ascend to the zenith of excellence, and the Dronacharya Awards, which honor mentors who shape and nurture them. These names are not accidental. Arjuna, the archer who could strike the eye of a moving fish and Dronacharya, the guru of princes are not simply characters of legend; they are echoes of our enduring ethos.
Physical culture in ancient India was never separate from life, it was life itself. Wrestling, archery, chariotry, swordplay, and martial disciplines were woven into the fabric of society. Malla-Yuddha, the indigenous system of wrestling, is among the oldest martial sports in the world and survives today in mud akharas, where pehelwan still begin their day with prayer, earth, oil, and breath. It is not spectacle but sadhana, not merely sport, but a sacred vow.
The Vedic seers revered the body, not as a cage for the soul, but as its sacred vehicle. “Shariram adyam khalu dharma sadhanam” - the body is indeed the first instrument of dharma. Yoga, as described in the Upanishads, was not a series of exercises but a rigorous spiritual path. It cultivated endurance, clarity, and stillness, preparing the body as an ally in the soul’s journey.
Even our gods are sculpted in power and purpose. Hanuman, the mighty vanara, embodies devotion through strength. Kartikeya, the celestial commander, wields his spear with equal compassion and control. Durga, the divine mother, rides her lion with arms outstretched, her weapons raised not in conquest but in righteous protection. These are not distant myths, they are living archetypes. Their strength is inseparable from their spirituality; it is born from it.
And the women of this sacred land? They were far from absent in the arenas of strength. They rode chariots, defended fortresses, and mastered the arts of debate and warfare. Kaikeyi, the queen-charioteer; Draupadi, the fire-born empress of dignity; Lopamudra and Ahalya, the sages of intellect and spirit, these women claimed physical prowess not as rebellion, but as birthright.
Living Traditions: From Gurukulas to Temples
In ancient gurukula, students trained in both warfare and wisdom. The forest was their classroom; the bow, their scripture. A prince’s education was incomplete without mastery over the physical arts, strength, stamina, strategy, and spiritual grounding together forged the ideal ruler.Temples, too, became crucibles of training. In South India, the martial art of Kalaripayattu flourished within temple compounds, where movement became prayer and the body an offering. The temple dancer, the martial artist, and the yogi all moved with one intention, to commune with the divine through disciplined motion.
India’s classical dances - Bharatanatyam, Odissi, Kathak, and others - are no less than choreographed austerities. Kathakali, Kerala’s magnificent dance-theatre tradition, stands among the most physically rigorous of them all. Its performers train like athletes: mastering breath control, eye discipline, balance, stamina, and explosive body movements that demand extraordinary muscular strength. Each gesture (mudra), drawn from yoga and tantra, reveals the cosmos within the human frame. These dancers are not only artists, they are athletes and ascetics, forged through years of endurance, alignment, and spiritual focus.
As dynasties rose, so too did systems of training. In medieval India, royal patronage nourished the physical arts. Rajputs, Cholas, and Marathas trained in swordsmanship, horse riding, and wrestling. Palaces contained arenas; temples housed vyayamasalas (gyms); martial treatises were preserved like scripture.
The Sikh warrior tradition elevated this union even further. With one hand on scripture and the other on the sword, the Sant-Sipahi, the saint-soldier was born. The martial art of Gatka continues as a living emblem of that integrated path.
Centuries of foreign rule and colonization fractured many of these traditions. Some were driven underground; others faded into folklore. Yet the flame was never extinguished. It survived in oral memory, in hidden akharas, and in songs of motion and courage.
Today, in this age of rediscovery, India must not merely remember, she must revive.
A Needed Bridge: From Sacred Memory to Historical Record
Before stepping into documented history, it is important to understand the nature of our sources. Much of ancient India’s physical culture was preserved through oral tradition, ritual practice, and temple based pedagogy rather than written manuals or recorded tournaments. This explains why mythology is abundant while empirical details are scattered: the physical and spiritual were integrated, not compartmentalized. Thus, the transition from myth to verifiable history requires both sensitivity and scholarship.Fragmented Histories, Enduring Legacy
As we move from myth to history, we find that documented references to organized sport in ancient India are sparse but not absent. The archaeological and literary landscape is fragmented, yet suggestive. As noted by Ronojoy Sen in Nation at Play, scholars such as C.W. Hacker Smith has traced the existence of yoga, polo, wrestling, archery, and ball games across eras. Renou Louis, the French Indologist, affirms the presence of various games, though often poorly documented.However, A.L. Basham, in The Wonder That Was India, soberly observes that structured indoor sports were uncommon, and a systematic sporting culture remains difficult to trace. Many Indian scholars echo this view, cautiously retracing our scattered legacies.
Among them, the monumental work of Dattatreya Chintamani Majumdar - his ten volume “Encyclopedia of Indian Physical Culture” (originally in Marathi, later abridged in English) stands as a tribute to our indigenous systems of training and excellence.
Thus, while the mythic and cultural spirit of Indian physical culture remains vibrant, the historical record lies like a string of ancient beads - waiting to be gathered, remembered, and worn once again with pride.
Closing Reflection
From the terracotta athletes of the Indus Valley to the yogic ascetics of the Upanishads, from temple arenas to royal akharas, and from forgotten manuals to modern rediscovery, the story of India’s physical culture is a continuum. Ancient discipline, spiritual rigor, and martial grace form the foundation upon which today’s scientific sports culture stands. The body that once sought divinity through discipline now reaches for excellence through specialization. Yet the essence remains unchanged: in India, movement has always been more than motion, it has been a path to meaning.References
- A.L. Basham - The Wonder That Was India. Rupa Publications
- Ronojoy Sen - Nation at Play: A History of Sport in India. Oxford University Press
- D.C. Majumdar - Encyclopedia of Indian Physical Culture (Abridged English Edition)
- P. C. Roy (ed.) - The Mahabharata of Krishna-Dwaipayana Vyasa (Public domain, available via Sacred Texts Archive)
- R.K. Sharma - Physical Education in Ancient India
- J.H. Hutton - Archaeological Survey of India Reports
- Sir John Marshall – Mohenjodaro and the Indus Civilization (3 Volumes), (Public domain in archive.org)
- D. Devadas – Kalarippayattu: The Martial Art of Kerala, (Orient BlackSwan)
- Phillip Zarrilli - When the Body Becomes All Eyes (Study on Kathakali Training) University of Oxford Press
Coming up next: SUNDAY FIELD & FLAME – 15 February 2026: The Global Arena: How Ancient Civilizations Spoke Through the Body
